JASON LEE MIDDLE SCHOOL VIDEO PRODUCTIONS
 

 

Post Production is the phase in the creation of a film/video/motion-graphic that is the assembly of the final project. It is commonly called editing whether it is picture, picture and sound, or sound editing. Titles are created and added to the final cut. From here the finished project is distributed.

 

Vocabulary

  • editor
  • continuity
  • screen vector
  • cut
  • overlapping action
  • screen direction
  • aspect ratio
  • frames per inch
  • hi-defination tv
  • sync sound
  • wild sounddv
  • mini-dv
  • vhs
  • svhs
  • 8mm
  • hi8
  • digital 8
  • 35mm film
  • 16mm film
  • 8mm film
  • hdtv
  • 16:9
  • 4:3
  • director
  • producer
  • budget
  • writer
  • executive producer
  • production manager
  • production assistant
  • gopher
  • film treatment
  • character profile
  • plotline
  • script
  • sound effects sdfx
  • video
  • audio
  • dialogue
  • voice over
  • music bed
  • narrator
  • rewrites
  • teleplay
  • screen play
  • exposition
  • character development
  • antagonist
  • protagonist
  • dramatic hook
  • public service announcement
  • storyboard
  • location scout
  • rehearsal
  • point of view
  • closeup (cu)
  • medium shot (ms)
  • wide shot (ws)
  • extreme closeup (ecu)
  • extreme wide shot (ews)
  • point of view (pov)
  • over the shoulder (ots)
  • hand held
  • camera left
  • camera right
  • upstage
  • downstage
  • house right
  • house left

 
info      
A film treatment (or treatment for short) is a piece of prose, typically the step between scene cards (index cards) and the first draft of a screenplay for a motion picture. It is generally longer and more detailed than an outline (or one-page synopsis) and shorter and less detailed than a step outline, but it may include details of directorial style that an outline omits. They read like a short story. There are two types: the original draft treatment, created during the writing process, and the presentation treatment, created as presentation material.    

Original draft treatment

Generally long and detailed. It's compiled of full-scene outlines put together. These are usually more than about 30 standard letter/A4 pages (Courier New 12 point), less than about 80 pages, and an average of about 40 pages. For example, The Terminator original treatment is 44 pages. More elaborate forms of the draft treatment are the step outline and the so-called scriptment.

Presentation treatment

Generally the scene card descriptions written out in order. These only have the essential and important story events that make up the scenes. It's the full story in its simplest form. Usually starting with the Concept, then the Theme, then Character, and also the detailed synopsis of about 4 - 8 pages of master scenes. This is either to show how the production notes have been incorporated into the screenplay for the director and production executives to look over, or to leave behind as a presentation note after a sales pitch. If a script submission requires a treatment, this would be the one you would send. These are usually more than about 3 pages, less than about 30 pages, and an average of 7-12 pages.

[edit] Use

Treatments are widely used within the motion picture industry as selling documents, whereas outlines are generally produced as part of the development process.

Screenwriters may use a treatment to initially pitch a screenplay, but may also use a treatment to sell a concept they are pitching without a completed screenplay.

    
     

Links to Storyboard information

http://accad.osu.edu/womenandtech/Storyboard%20Resource/

    

Links to film treatments

http://www.screenwriting-resources.com/screenplay_treatment.html

    

Location scout

  • print your script to take with you
  • Location scout for your script
    • write letters to get written permission for using locations
      • explain what your intend to do
        • when
        • where
  • take still pictures of possible locations and camera angles
  • be aware of problems of
    • lighting
    • power
    • sound
    • traffic
      • foot
      • automobile
      • air
    

 

Jason Lee Middle School Production code of conduct

  1. All Production is done without any harm to anyone nor damage to property.
  2. Classes in session should not be disturbed nor affected by any production.
  3. All scripts must be public school acceptable and approved by the instructor before it may be produced.
  4. All stunts must be approved and rehearsed before shoot day.
  5. All shoots must have approved call sheets listing all cast and crew
  6. Productions must cannot leave Jason Lee Middle School grounds
  7. All Location shooting must have prior written approval from the person in charge of the location.
  8. All directors must have communication with the instructor
  9. Release forms must be on file prior to shoot day
 PRODUCTION FORMS

CALL SHEET VIDEO PRODUCTION

CALL SHEET TELEVISION PRODUCTION

SHOT LIST FORM

STUDIO PRODUCTION SHEET

SCRIPT TEMPLATE

CONTINUITY SHEETS

STORYBOARD TEMPLATE

PROPERTIES LIST

Dailies Viewing

Pre-production

film treatment

character profiles

character traits

plot line

scripts

production budget

properties list

shot list

crew

cast

Performance

storyboards

location scout

equipment list

lighting/grip package

Production

camera work

blocking

sound

continuity

lighting

choreography

Postproduction

continuity

dailies

picture edit

sound edit

sound sweetening

sound effects

  

Sound Sweetening - Audio Post-production

edit audio

  • Adobe Audition Notes
  • SOUND EFFECTS
  • wild sounds
    • audio not synchronized with the video track
    • ambient sound - sound typically heard in a certain location
  • wild dialogue
    • dialogue not synchronized with the video track
  • music
    • theme song
    • music in a scene
    • music for mood
    Tricaster

scripts

I Have a Dream

Gettysburg Address

PRE-PRODUCTION FORMS

Story board sheets

Props Sheet

script blanks

Call sheets for Video Productions

Call Sheets for Television Productions

PRODUCTION FORMS

Continuity Sheets

Shot List

POST PRODUCTION FORMS

Dailies Viewing

  

 
   

PROJECTS

INTERVIEWS

AN ART REEL
 

 

 

 

 

    

 

 

 

    

information
 

  • Television Crew

  • Television crew positions are derived from those of film crew, but with several differences.

    job titles in television production

    • 1 Pre-production
      • 1.1 Casting director
      • 1.2 Costume designer
      • 1.3 Director
      • 1.4 Location manager
      • 1.5 Make-up artist
      • 1.6 Production designer
      • 1.7 Researcher
      • 1.8 Set designer
      • 1.9 Television producer
      • 1.10 Writer
      • 1.11 Head writer
      • 1.12 Screenwriter
      • 1.13 Story editor
    • 2 Production
      • 2.1 A2
      • 2.2 Boom operator
      • 2.3 Camera operator/cinematographer/videographer
      • 2.4 Character generator operator/Aston/Duet operator
      • 2.5 Floor manager
      • 2.6 Graphics coordinator
      • 2.7 Stage manager
      • 2.8 Gaffer
      • 2.9 Grip (job)
      • 2.10 Gallery/control room team
      • 2.11 Production manager
      • 2.12 Production assistant
      • 2.13 Runner
      • 2.14 Stunt coordinator
      • 2.15 Technical director
      • 2.16 Television director – director
      • 2.17 Video control operator/vision engineering
      • 2.18 Video tape operator
      • 2.19 Vision mixer
    • 3 Post-production
      • 3.1 Colorist
      • 3.2 Composer
      • 3.3 Editor
      • 3.4 Foley artist
      • 3.5 Post-production runner
      • 3.6 Publicist
      • 3.7 Sound editor
      • 3.8 Title sequence designer
    • 4 Specialist editors
      • 4.1 ADR editor
      • 4.2 Bluescreen director/matte Artist
      • 4.3 Special effects co-ordinator
    • 5 See also
    • 6 External links
    • 7 References

Film Crew

  • 1 Director
  • 2 Production
    • 2.1 Production office
    • 2.2 Accounting
    • 2.3 ADs
    • 2.4 Locations
    • 2.5 Additional production credits
  • 3 Camera & Lighting
    • 3.1 Camera
    • 3.2 Electrical
    • 3.3 Grip
  • 4 Art Department
    • 4.1 Art
    • 4.2 Sets
    • 4.3 Construction
    • 4.4 Property
  • 5 Costume Department
  • 6 Hair and make-up
  • 7 Special Effects
  • 8 Stunts
  • 9 Production Sound
  • 10 Post-production
    • 10.1 Editorial
    • 10.2 Visual Effects
    • 10.3 Sound/Music
  • 11 References
    • 11.1 Notes
    • 11.2 Further reading
  • 12 External links